“We want our lives to be boring. We want the art to be exciting. And you get that by finding the beginning and the middle of the end is just sight and sound. How about make every single sight and every single sound palpably, measurably move the story...
“There’s the kind of note that you get from somebody that’s paying you, and there’s the kind of notes that you’re getting somebody that’s not paying you. So the ones that are not paying you, you listen to. If you get the note from...
“I think the people who have done okay in this business are people who are persistent despite the desperate struggles. I mean, I’ve never had a film that didn’t have a very dark moment where I really wanted out. And I hated the subject, I hated the...
“I’m looking at this script, LBJ, as my whole career rests on the outcome of this, whether or not it becomes a movie. And Bryan Cranston is lurking in the shadows making what becomes a Tony-winning play. And we’re just thinking, he’s killing...
“…learning how to take what I did in screenwriting and put it in picture books…it’s such a similar media, really, with the pictures and the visuals…having to have those work well together and the magic that happens between those two...
